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民話をさがす朝鮮半島

The Man who Became a Pig

朝鮮半島(Korea) / 本文の言語 英語 / 原話の言語 朝鮮語 / 出典の刊年 1913 1,139

出典と権利

出典の本Korean Folk Tales: Imps, Ghosts and Fairies
提供Project Gutenberghttps://www.gutenberg.org/ebooks/51002
採集・編者Im Bang; Yi Ryuk
翻訳James S. Gale
刊年の根拠扉に 1913(序文の署名は 1911)
権利状態Public Domain (United States)(US)/確認日 2026-09-08
地図上の位置緯度 36.6 / 経度 127.9(精度 culture_region)。話の舞台でも採集地でもなく、この本が扱う文化圏のおおよその中心である。

本文

Project Gutenberg の本文から、PG のヘッダ・フッタ・商標文言を除いたもの。段落は原文のままである。

[Kim Yu was the son of a country magistrate who graduated with literary honours in 1596. In 1623 he was one of the faithful courtiers who joined forces to dethrone the wicked Prince Kwang-hai, and place In-jo on the throne. He was raised to the rank of Prince and became, later, Prime Minister. In the year 1624, when Yi Kwal raised an insurrection, he was the means of putting it down and of bringing many of his followers to justice. In 1648, he died at the age of seventy-seven.

In the last year of Son-jo the King called his grandchildren together and had them write Chinese for him and draw pictures. At that time In-jo was a little boy, and he drew a picture of a horse. King Son-jo gave the picture to Yi Hang-bok, but when the latter some years later went into exile he gave the picture to Kim Yu. Kim Yu took it, and hung it up in his house and there it remained.

Prince In-jo was one day making a journey out of the Palace when he was overtaken by rain, and took refuge in a neighbouring gate-quarters. A servant-maid came out and invited him in, asking him not to stand in the wet, but Prince In-jo declined. The invitation, however, was insisted on, and he went into the guest-room, where he saw the picture of a horse on the wall. On examining it carefully he recognized it as the picture he had drawn when a lad, and he wondered how it could have come here. Kim Yu then came in and they met for the first time. Prince In-jo told him how he had been overtaken by rain and invited in. He asked concerning the picture of the horse that hung on the wall, and Kim Yu in reply asked why he inquired. Prince In-jo said, "I drew that picture myself when I was a boy." Just as they spoke together a rich table of food was brought in from the inner quarters. Kim Yu, not knowing yet who his guest was, looked with wonder at this surprise, and after Prince In-jo had gone, he inquired of his wife why she had sent such delicious fare in to a stranger. The wife replied, "In a dream last night, I saw the King come and stand in front of our house. I was just thinking it over when the servant came in and said that some one was standing before the door. I looked out, and lo, it was the man I had seen in my dream! so I have treated him to the best of hospitality that I was able." Kim Yu soon learned who his caller had been, and became from that time the faithful supporter of Prince In-jo, and later helped to put him on the throne.

After In-jo became king he asked privately of Kim Yu where he had got the picture. Kim Yu said, "I got it from Prince Yi Hang-bok."

Kim Yu then called Yi's son and inquired of him as to how his father had got it. The son said, "In the last year of King Son-jo he called my father along with all his grandchildren, and showed him the writings and drawings of the young princes. My father looked at them with interest, but the King gave him only one as a keepsake, namely, the drawing of the horse." In the picture there was a willow tree and a horse tied to it. Kim Yu then recognized the thought that underlay the gift of the picture, namely, that Prince Yi Hang-bok should support In-jo in the succession to the throne.]

The Story

A certain Minister of State, called Kim Yu, living in the County of Seung-pyong, had a relative who resided in a far-distant part of the country, an old man aged nearly one hundred. On a certain day a son of this patriarch came to the office of the Minister and asked to see him. Kim ordered him to be admitted, and inquired as to why he had come. Said he, "I have something very important to say, a private matter to lay before your Excellency. There are so many guests with you now that I'll come again in the evening and tell it."

In the evening, when all had departed, he came, and the Minister ordered out his personal retainers and asked the meaning of the call. The man replied, saying, "My father, though very old, was, as you perhaps know, a strong and hearty man. On a certain day he called us children to him and said, 'I wish to have a siesta, so now close the door and all of you go out of the room. Do not let any one venture in till I call you.'

"We children agreed, of course, and did so. Till late at night there was neither call nor command to open the door, so that we began to be anxious. We at last looked through the chink, and lo, there was our father changed into a huge pig! Terrified by the sight of it we opened the door and looked in, when the animal grunted and growled and made a rush to get out past us. We hurriedly closed the door again and held a consultation.

"Some said, 'Let's keep the pig just as it is, within doors, and care for it.' Some said, 'Let's have a funeral and bury it.' We ignorant country-folk not knowing just what to do under such peculiar circumstances, I have come to ask counsel of your Excellency. Please think over this startling phenomenon and tell us what we ought to do."

Prince Kim, hearing this, gave a great start, thought it over for a long time, and at last said, "No such mysterious thing was ever heard of before, and I really don't know what is best to do under the circumstances, but still, it seems to me that since this metamorphosis has come about, you had better not bury it before death, so give up the funeral idea. Since, too, it is not a human being any longer, I do not think it right to keep it in the house. You say that it wants to make its escape, and as a cave in the woods or hills is its proper abode, I think you had better take it out and let it go free into the trackless depths of some mountainous country, where no foot of man has ever trod."

The son accepted this wise counsel, and did as the Minister advised, took it away into the deep mountains and let it go. Then he donned sackcloth, mourned, buried his father's clothes for a funeral, and observed the day of metamorphosis as the day of sacrificial ceremony.

Im Bang.

緊張のうつりかわり

本文を 12 等分し、張りつめた語(死・血・恐れ・剣…)から和らいだ語(祝い・眠り・ 婚礼…)を引いて、話の中で 0〜1 に均したもの。自前の辞書である。翻訳を経た本文を測っているので、これは原話ではなくこの訳の性質である。

00.510%25%50%75%100%0% 地点 / 緊張度 19% 地点 / 緊張度 018% 地点 / 緊張度 027% 地点 / 緊張度 036% 地点 / 緊張度 046% 地点 / 緊張度 055% 地点 / 緊張度 064% 地点 / 緊張度 073% 地点 / 緊張度 082% 地点 / 緊張度 091% 地点 / 緊張度 0100% 地点 / 緊張度 0.895DeathEncounterGiftGiftEncounterFamilyEncounterEncounter話の進行 →
縦は緊張度(この話の中での相対値。話をまたいで比べられる量ではない)、横は本文の進行。 上端の小さな字は、その区画で不釣り合いに多く出た出来事語である。

出来事の並び(数え上げ)

区画ごとに、コーパス全体の出現率に対して不釣り合いに多く出た引き金語を採っている。 生の回数で採ると、`father`/`mother` を持つ Family がほぼ全区画で勝つ(実測)。

DeathEncounterGiftGiftEncounterFamilyEncounterEncounter

似ている民話

多言語 Embedding のコサイン近傍。類似度は歴史的な起源や伝播を証明する値ではない。同じ本の話は文体を共有するぶん必ず似るので、そう分かるよう印を付けてある。

#題名文化圏類似度出典
1Ta-hong朝鮮半島0.953同じ本
2Ten Thousand Devils朝鮮半島0.952同じ本
3Charan朝鮮半島0.949同じ本
4The Plucky Maiden朝鮮半島0.949同じ本
5Kwang-jui and the God of the River中国0.948別の本
6The Vengeance of the Goddess中国0.948別の本
7Phakir Chandベンガル0.947別の本
8The King of Yom-na (hell)朝鮮半島0.946同じ本
9The Temple to the God of War朝鮮半島0.946同じ本
10The Home of the Fairies朝鮮半島0.946同じ本
11The Outcast Princeユダヤ(ディアスポラ)0.945別の本
12The Glass Princessスリランカ0.945別の本

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