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民話をさがすジャマイカ

Tiger Softens His Voice

ジャマイカ(Jamaica) / 本文の言語 英語 / 原話の言語 jam / 出典の刊年 1924 749

出典と権利

出典の本Jamaica Anansi Stories
提供Project Gutenberghttps://www.gutenberg.org/ebooks/72735
採集・編者Martha Warren Beckwith
刊年の根拠扉に『PUBLISHED BY THE AMERICAN FOLK-LORE SOCIETY … 1924』、序文の署名に『April, 1924.』
権利状態Public Domain (United States)(US)/確認日 2026-09-14
地図上の位置緯度 18.1 / 経度 -77.3(精度 culture_region)。話の舞台でも採集地でもなく、この本が扱う文化圏のおおよその中心である。

本文

Project Gutenberg の本文から、PG のヘッダ・フッタ・商標文言を除いたもの。段落は原文のままである。

George Parkes, Mandeville.

Once upon a time a woman had one daughter, an’ that daughter was the prettiest girl in an’ around that country. Every man want the girl to marry, but the mother refuse them as they come. Tiger, too, wanted the girl, an’ demands the girl, an’ the mother says no. Tiger said if he don’t get the girl he will kill her. So they remove from that part of the country and go to another part, into a thick wild wood where no one live. And she made a house with a hundred doors and a hundred windows and a large staircase; and the house is an upstairs, an’ there both of them live.

Tiger hear of it, always loafing aroun’ the house to see if he can catch the girl, but the girl never come out. During the day, the mother went to her work, leaving the girl at home. When going out, the mother fasten all the doors an’ windows; coming home in the evening, at a certain spot where she can see the house an’ notice that all the windows an’ doors are close as she leave it, then now she have a song to sing, go like this,—

“Tom Jones, Tom Jones, Tom Jones!”

(that’s the name of the girl). Girl now—

“Deh lo, madame!”

Woman said to her now,

“Fare you well, fare you well, fare you well, Fare you well, me dear; fare you well, me love! A no Tiger, deh la, ho, deh la, ho? Me jus’ come, ho!”

Then the door open, so—

“Checky checky knock umbar, Checky checky knock umbar, Checky checky knock umbar.”

The door don’t open without that song now, and when it open, the mamma go into the house.

At that time, Tiger in the bush listening to the song. So one day while she was away, hear time for her to come home, Tiger approach the spot where she always sing. He now in a very coarse voice sings the song,—

“Tom Jones, Tom Jones, Tom Jones!”

The girl look from the window, said, “Tiger, a who no know sa’ a you!” So now Tiger go ’way an’ hide till mamma come. When she come, he listen good. Next day, Tiger go to a blacksmith an’ ask de blacksmith what he t’ink can give him, Tiger, a clear v’ice. De blacksmit’ say he must hot a long iron an’ when it hot, mus’ take it push down his t’roat. An’ de blacksmit’ give him a bit of meat to eat after he burn the throat an’ that will give him a clear v’ice. So Tiger go away eat de meat first an’ den burn de t’roat after. Nex’ day he went to the spot where the woman always sing from. An’ that make his v’ice more coarser. He sing now—

“Tom Jones, Tom Jones, Tom Jones!”

The girl look thru the window an’ say, “Cho! a who no know sa’ a you!” So Tiger got vex’ now, an’ he went home, burn the throat first and afterward eat the meat, and that give him a clearer v’ice than the woman. The nex’ day, when most time for the woman to come home from her work, Tiger went to the spot where he can see the house. He begin to sing,

“Tom Jones, Tom Jones, Tom Jones!”

The girl answer (tho’t it was her mother now)—

“Deh la, madame!”

Then Tiger say,

“Fare you well, fare you well, fare you well, Fare you well, me dear; fare you well, me love! A no Tiger deh lo o-o-o Me jus’ come, h-o-o-o!”

The door commence to open now,—

“Checky checky checky knock umbar, Checky checky checky knock umbar, Checky checky checky knock umbar!”

And as the door open, Tiger step up an’ caught the girl an’ swallow her.

And when the mother coming home, reach to the spot and saw the doors and windows open, she throw down what she carry and run to the house. And she saw Tiger lay down. And the mother then went away an’ get some strong men come an’ tie Tiger, kill him, an’ open de belly an’ take out de daughter. At that time, little life left in her an’ they get back the life in her. The woman then leave the house an’ go off away far into another country, and that is why you always fin’ lot of old houses unoccupied that no one live in.

緊張のうつりかわり

本文を 12 等分し、張りつめた語(死・血・恐れ・剣…)から和らいだ語(祝い・眠り・ 婚礼…)を引いて、話の中で 0〜1 に均したもの。自前の辞書である。翻訳を経た本文を測っているので、これは原話ではなくこの訳の性質である。

00.510%25%50%75%100%0% 地点 / 緊張度 09% 地点 / 緊張度 118% 地点 / 緊張度 027% 地点 / 緊張度 036% 地点 / 緊張度 046% 地点 / 緊張度 055% 地点 / 緊張度 064% 地点 / 緊張度 073% 地点 / 緊張度 082% 地点 / 緊張度 091% 地点 / 緊張度 0100% 地点 / 緊張度 0.925FamilyFamilyTrialFamilyDeparture話の進行 →
縦は緊張度(この話の中での相対値。話をまたいで比べられる量ではない)、横は本文の進行。 上端の小さな字は、その区画で不釣り合いに多く出た出来事語である。

出来事の並び(数え上げ)

区画ごとに、コーパス全体の出現率に対して不釣り合いに多く出た引き金語を採っている。 生の回数で採ると、`father`/`mother` を持つ Family がほぼ全区画で勝つ(実測)。

FamilyFamilyTrialFamilyDeparture

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多言語 Embedding のコサイン近傍。類似度は歴史的な起源や伝播を証明する値ではない。同じ本の話は文体を共有するぶん必ず似るので、そう分かるよう印を付けてある。

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